Here’s a little look behind the scenes to show you how a digital comp (3D render) is the best possible way to show design concepts for review and approval of your bottle and label designs.
After “flat” comps are reviewed and the options are narrowed down to a few likely finalists, 3D digital comps are made for further review. This allows distillers to really see what they are getting into. It’s especially useful when conceptualizing new glass bottle designs. But also very helpful for visualizing processes and materials such as embossing and foils – things that are either very difficult or very expensive to simulate in a one-off physical mockup. So in that way, a 3D render can be even better than a real, physical mockup.
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First, let’s look at a typical 2-dimensional comp created in Adobe Illustrator or Photoshop. Not bad for a preliminary look and conceptual exploration. And certainly a more efficient way of working when you’re comparing as many as 10 new design ideas. At the early stages, it’s just not worth the time or investment to create a 3D model for every possible option. But it’s pretty flat indeed. And it can be quite difficult for many people to take that leap of faith from this stage, when they are about to commit the funds to print ten thousand labels. It’s not a bad approximation, but for my money, I’d rather look at something a little more realistic.
Typical Flat Comp
After a few finalists have been selected, it can be very useful to get a more accurate look at the designs in question and how they will take shape in the real world. This is a fully digital 3d render – not a photograph – created before the actual label was printed for sake of final review and approval. You can really see how the foils and embossing play in the light – much better.
Final 3D Digital Render
And for comparison, here a photograph of the final, finished product.
Actual Photo of Final Bottle and Label
White Dog Whiskey is a product of the Woodinville Whiskey Company.